Martin Scorsese is widely considered one of the greatest directors of all time. That such a renowned filmmaker could, at times, misjudge the effects of his artistic choices — and to such a great degree — should be a sobering reminder to us.
Cultural commentator Samuel D. James discussed the influential and formative power of the internet in a recent interview. James’ newest book, Digital Liturgies, explores the hidden ideology and worldview-shaping nature of internet technology, as well as how Christians can rightly navigate through the digital world in faithfulness to Christ.
Even if and when our culture promotes diversity for the clandestine purposes of partiality, followers of Christ have no excuse to push back by promoting a different form of partiality.
“Encanto” is a charming break from the Disney mold, beautifully (albeit, inadvertently) promoting a distinctly Christian understanding of the world in a kaleidoscope of narrative elements, the likes of which have not been seen in a Disney film in years — if not decades.
We can condemn pornography without having to review it all first. And we can condemn pornographic filming methods regardless of where they are found and whether or not we have watched them.
Unlike many of the orators of our day, who are prone to simplistic, hyper-partisan posturing, Douglass understood an important reality: like humanity itself, America’s history is filled with decency and depravity, nobility and noxiousness, heroism and heinousness. Pretending otherwise does a disservice to reality.
The reality is that vengeance doesn’t satisfy justice. By its very nature, it cannot. Vengeance is unjust, and no amount of injustice can correct a previous act of injustice. As such, the revenge fantasy film is just that—a fantasy that allows audiences a false sense of catharsis.